Editorial Unimagdalena

• Adriana Villamizar Ceballos
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Description in English: In this book, teacher and author Adriana Villamizar Ceballos aspires to motivate reflections and debates around literary and audiovisual narrative creation. Its structure is a journey through those intricacies that inventiveness requires; for this reason, in the first chapter, "Man and his detonating machines," she exposes the reason and origin for the text with a compilation of the various gadgets created by Julio César Rojas, also a Chilean teacher and script doctor. In the second chapter, "The triggering machine." various theories and pedagogical aids in creative writing are expanded, and in "135 Creative Script Triggers," the creation that promotes research and gives rise to the book is presented. In the end, and in a risky way, she reveals the result of using the artifact. She exposes a particular game of invention by randomly extracting five of those 135 sentences to use them as dramatic structural columns and creating twenty-seven new fictional plots with them. Furthermore, at the closure of the educational book, she invites the reader to immerse themselves in the creative experience and acquire their own skills.

Tabla de contenidoÍndice filmográfico........................................................ 11Introducción.................................................................. 13Capítulo uno. Un hombre y sus máquinas de hilvanar historias.......... 19El despertar creativo ........................................................ 19La estructura del guion cinematográfico ...................... 27Capítulo dos. Las máquinas detonantes................................................... 37Diseño y metodologías pedagógicas en la escritura del guion............................................................................ 38El diseño de los personajes.............................................. 39Moduladores de la narración cinematográfica............. 43Implantes: el empalme del misterio............................... 45Funciones de los personajes y roles de mito................. 50Composición de la escena............................................... 56Análisis de cada unidad dramática ................................ 60El tipo de narrador y el punto de vista del filme .......... 62El generador de ideas entre cajas, jarrones rotos y un sofá confortable........................................................... 66Capítulo Tres. The mind blowing machine o disparadores creativos de guion.................................................................................. 73The mind blowing machine o disparadores creativos de guion............................................................. 74Historia 1........................................................................... 81Historia 2........................................................................... 84Historia 3........................................................................... 87Historia 4........................................................................... 90Historia 5........................................................................... 94Historia 6........................................................................... 98Historia 7........................................................................... 103Historia 8........................................................................... 106Historia 9........................................................................... 110Historia 10......................................................................... 113Historia 11......................................................................... 118Historia 12......................................................................... 122Historia 13......................................................................... 126Historia 14......................................................................... 129Historia 15......................................................................... 133Historia 16......................................................................... 137Historia 17......................................................................... 141Historia 18......................................................................... 145Historia 19......................................................................... 150Historia 20......................................................................... 157Historia 21......................................................................... 160Historia 22......................................................................... 165Historia 23......................................................................... 168Historia 24......................................................................... 173Historia 25......................................................................... 177Historia 26......................................................................... 181Historia 27......................................................................... 184Conclusión..................................................................... 187Listado de 135 frases ..................................................... 191Espacio para la creación................................................ 197Referencias bibliográficas ............................................. 203

• OCDE (Área, Subárea y Disciplina) Humanidades > Idiomas y literatura > Estudios literarios
• Colección y serie: Humanidades y Artes > Cine y audiovisuales
• Categoría: Libro producto de investigación
• THEMA: Artes escénicas; Biografías, literatura y estudios literarios; Biografía: arte y espectáculo
• BISAC: BIOGRAFÍA Y AUTOBIOGRAFÍA > Entretenimiento y Artes Escénicas
• DEWEY: Literatura y retórica > Generalidades > Literatura y retórica